On Tuesday, April 17, 2012, Godsmack,
Staind and Halestorm rolled into NOLA for the third stop on their
“Mass Chaos Tour”. The demographic at this show was a little
different than other hard rock shows I've been to. More older people
here than normal, and even a few parents with young children. I
would definitely attribute this to having Staind on the bill, and
you'll understand why as you continue reading. I was beginning to
think that the show was a let down, until the end, when Godsmack took
the stage and absolutely smashed it.
Not a huge crowd at the Lakefront
Arena, but it's about what I expected for a hard rock show in New
Orleans. Unfortunately, we just aren't a rock/metal city. On my way
to the floor, I stop and get my first $8 beer of the night (8 bucks?!
What is this a Saints game?!). I make it to the floor just in time
for the unadvertised opening act, Man Made Machine, from Phoenix,
Arizona. They're a five guy hard rock group who released their first
album last year, entitled Become.
I wasn't familiar with the band prior to tonight, but they were good
and I think I'll check out the album. Lead guitarist Marc “Spank”
Hernandez does a fun spot where he looks into the air and hocks a big
loogie as high as he can and catches it back in his mouth. Hey, what
do you expect from a guy named Spank? I just thought of a perfect
group for him to start if this band doesn't work out. It's a mucus
inspired Motorhead tribute band called “Phlegmy Kilmister”
(Trademark it!). Anyway, MMM closes their set with a song called
“Bad Mother F***er”, which was probably the catchiest song
they played. Don't think that song's gonna make it to radio, unless
they pull a Cee-lo Green and re-record the chorus with different
lyrics. Somehow “Bad Mother Forgeter” just doesn't have the same
pop to it though. Oh well now on to Halestorm.
I wasn't a big Halestorm fan going into
this show, but after seeing them live they've grown on me.
Front-woman Lzzy Hale has kind of a Joan Jett thing going on with her
voice. Sorta gravelly and rough, but it works for this genre of
music and the types of songs she sings. Lzzy, looking hot in her
leather pants and jacket (rawr...), and her bandmates come onstage
and immediately go into their newest single “Love Bites (and So Do
I)”. Some technical difficulties occur, as Lzzy's microphone goes
out halfway through the next song. She's rocking so hard she doesn't
even realize it. Guitarist Josh Smith finally catches her attention
and she switches to his mic, but that one craps out too. They do a
great job of playing it off though, as Smith relishes this
opportunity to launch into an improvised, extended solo as the techs
run onstage and switch out the faulty mics. Halestorm goes on to
perform their other radio hits “I Get Off”, “Familiar Taste of
Poison” and “It's Not You”, plus a track from the new album
called “Freak Like Me”. Good stuff. Staind is up next, and it's
time for me to take a bathroom break.
Bathroom trips during concerts are
always an interesting experience. The lines are long, so you tend to
make friends while you're waiting. I had the pleasure of standing
behind a young man who was what I like to call a “bathroom
heckler”. He yelled such classic lines as “Hey hurry up, I gotta
take a shit!” and the always popular “Just piss in the sink!”.
Everything was fairly orderly until some young go-getter realized
that this bathroom had showers in the back normally reserved for use
by the UNO basketball teams. Those who couldn't wait for the line to
move rushed into what will now be dubbed the “golden showers”, in
order to relieve themselves. This leads to the best line from my
comedian friend “Better not slip and fall in there. You'll get
athlete's dick!” Classy.
As I return to the floor I have some
time to take in my surroundings and do a little people watching.
This crowd just doesn't look like a typical rock crowd. Lots of
older women, and I'm not talking about cougars on the prowl, but moms
and grandmas with their shirts tucked into their jeans. Then I
notice the men with mullets and the people (male and female) wearing
jorts. Hmm... this crowd looks suspiciously country. The lights go
out and it's time for Staind to take the stage. This should be
interesting. The curtain drops and Aaron Lewis and company go right
into “Fade”. If you've seen a Staind performance in the last few
years, you know what you're in for. The musician's play their asses
off, but Aaron Lewis just looks like he doesn't care. Funny because
right before they played “It's Been Awhile”, Aaron says “I
wrote this song back when nobody f'n cared.”; now the fans care,
but Aaron doesn't.
The whole show basically alternated
between heavy songs and the acoustic ballads that the older crowd ate
up. Then it happened. Aaron Lewis pulled out the acoustic guitar
and sang the single “Country Boy” from the country music album he
put out last year. For 5 minutes I felt like I was at a Toby Keith
concert. The mullets and jorts knew all the words to this
song. The crowd sang along as Aaron proclaimed “Cause Hank taught
me how to stay alive; I never leave my house without my 9 or 45”
and “Cause I've never needed government to hold my hand”
(probably because you're a multi-millionaire Aaron). It felt like
Bill O'Reilly could walk out onstage at any moment. Now, I like some
country music, don't get me wrong, but this song is just
stereotypical bullshit. The thing that stood out most during the
performance of “Country Boy” was the look on Aaron's face and the
way he sang the song. He was actually singing with emotion! Too bad
it didn't last, as Aaron limped through “For You” while the band
once again played hard and heavy.
Prior
to coming to this show, I was really excited to hear Staind play the
song “Not Again” from their latest album that came out last year.
That song kicks serious ass, and just might be the heaviest song
they've ever recorded. After hearing it live, it's obvious that
there was some serious vocal editing done, cause Aaron's voice just
can't make those growls anymore. Somewhere along the line they
played “Mudshovel”, “Outside” and most of the other hits, and
then closed with some slow song. Ugh.
As an
aside, you know how sometimes at a show the lead singer will say
something like “This next song is called....” or “This is a
song we wrote back in 2002”? Well Aaron Lewis has a habit of going
“This is a song.” Nothing else. Not the song title or anything.
He just says “This is a song.” Yeah, no shit dude. Have you
been doing monologues from “The Grapes of Wrath” between songs at
other concerts?
Mercifully,
the Staind portion of the show ended, and Aaron Lewis got paid so he
can buy his three kids handguns for their birthdays. Now it was up
to Godsmack to make this show worth the price of admission. At this
point in the show, I reflected on something a female friend of mine
told me after I told her I was going to be on the floor. She said
“God I hate these chicks that wear flip-flops on the floor of a
rock concert and get all pissed when you step on their toes or bump
into them. You're on the floor stupid.” I looked around and there
were tons of chicks (and even some guys) wearing flip-flops. But no
one was getting stepped on during the show thus far, because there
was really nothing to get hyped about....and then Godsmack took the
stage and things kicked up a notch.
The
lights dim and AC/DC's classic “For Those About to Rock (We Salute
You)” played over the loud speakers so everyone knows it's about to
go down. Behind the white curtain, shadows appear, and the crowd is
abuzz. The curtain drops and BAM Godsmack goes right into “I'm
Alive” and then transitions into “Straight Out of Line”. After
the song is over, lead singer Sully Erna gets on the mic. I'm going
to paraphrase what he said, it went something like this: “Some
stuff happened backstage before we came out tonight. I was listening
to the show and I didn't like what was going on. We made the
decision to change up the setlist at the last minute and only play
kick-ass songs that are going to whoop everyone's asses. None of
this ballad, slow song bullshit that you heard earlier tonight.” I
think Sully just made Aaron Lewis cry in his tour bus. The crowd is
hyped now, and finally a mosh pit breaks out while the band performs
the next song “The Enemy”. The mullets, jorts and flip-floppers
make a break for the back of the floor, cause they can't hang with
this. Next up is “Today Is A Good Day to Die” from their last
album The Oracle which
came out in 2008. You should go out and purchase this album
immediately if you're into face-smashing hard rock, because every
track on that album kicks major ass. Next up is the title track from
that very album, “The Oracle”. This song is a six and a half
minute instrumental track on the album, but they extended the live
version to over ten minutes of absolute beauty. You know an
instrumental song is awesome when you don't even realize that it
doesn't have any words, and you sing along to the sounds of the
guitars (“Wah, wah, waaaaaah, wah, screeeeeeech, bow-wah”). The
pit is in full effect. I jump in and get shoved around a few times
for good measure, but I'm horribly out of shape and eventually make
my way to the periphery.
Next
song is “Cry Like a Bitch”, followed by an extended version of
“Keep Away”, during which Sully gets bassist Robbie Merrill to
sing Queen's stadium anthem “We Will Rock You”. The band then
plays the chorus and first verse to one of my all-time favorite metal
songs, “Walk” by Pantera. I'm going nuts at this point and
screaming at the top of my lungs “RE.......SPECT.......WALK.......Are
you talking to me?!” Amazing. They go back to the chorus of “Keep
Away” and then move on to “Speak”. The next song is
“Love-Hate-Sex-Pain” and now things are really getting crazy. I
hear a commotion to my left and look over just in time to see a woman
rip off her shirt and start dancing. She's surgically enhanced and
topless, and also posing for photo-ops. Well that is awfully nice of
her. I know what you're thinking, and no, I did not get a picture.
Sorry guys, but my Blackberry camera is crappy. And ladies, don't
judge her. She paid good money for those, and she should be able to
show them off if she wants to. She's eating up the attention and
decides it's time to do some topless crowd surfing, so she moves up
front and out of view. I'm not sure if this makes me happy or sad,
but probably a little of both.
Back
to the stage we go and there's no way in hell Godsmack comes to New
Orleans and doesn't play “Voodoo”. Sully lets the crowd sing a
large portion of this song, and seems genuinely surprised that we're
singing this song with so much passion. Come on dude, New Orleans =
Voodoo, and you know this.......man. Next up is “Whatever” and
the crowd relishes the opportunity to yell “Better f'ing go away”
as loud as possible during the build to the chorus.
Sully
decides to take a break and asks the typical “Who here has seen
Godsmack?” and “How many of you are seeing us for the first
time?” Lots of newbies here tonight. Sully then looks at the
folks up in the seats and asks why there are some people who are
still sitting down. He says it's only cool to be sitting down if
you're too drunk to stand (Sully: “This is
New Orleans, so that may be the case for most of those who are
sitting.”) He then says if you're not too drunk to be standing,
then you're probably too old to be here, and you should “Get the
f**k out of here”. Sully wants to see everyone raging and moshing
for the final song, which is “I Stand Alone”, and the floor
audience complies with his demand. Everyone is slam-dancing;
bouncing off of each other like pinballs. This is going to hurt so
bad tomorrow, but it's totally worth it.
Godsmack
saved this show. They took it from being an average show, to being a
head-banging, devil-horn throwing, hard rock, smashfest. Sully and
the boys sent the crowd home rocking in the night air. Great
performance by a great band. Hopefully it doesn't take them another
8 years to come back to NOLA. If you have the chance, go see them.
If not, that's what you've got me for! Keep rocking friends. I'll
be back soon. \m/